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Master Bruno d'Arcevia
Arcevia 1946
Bruno d'Arcevia (Bruno Bruni).
Among the greatest artist of the second half of the italian twentieth century Bruno d'Arcevia has created, with the critic G. Gatt the artistic trend of the New italian Manner.
Between his artistic productions we recollect in 1978 the Venezuelan Prime Minister's portrait and, more recently, in 1997-1998, the fresco of the St. Francesco di Paola dome (Cosenza), where he also left some of his oil paintings.
Delegate at the most important italian and foreign artistic fairs, he has been listed in The international Who's Who 2000 of the Millennium Edition in London.
In 2013 he painted with a 200m² fresco the bowl-shaped apse of the Chatedral of Noto, where he figures the Saint doctors of the Church, the God Almighty with the faithful virgin Mary and the Baptizer, as well as the vaul of the presbitery with the iconographic theme of "Hetoimasia", the emblems of Christ and the symbols of the Passion.
His works are located in the most important public and private italian and foreign collections.
Among the greatest artist of the second half of the italian twentieth century Bruno d'Arcevia has created, with the critic G. Gatt the artistic trend of the New italian Manner.
Between his artistic productions we recollect in 1978 the Venezuelan Prime Minister's portrait and, more recently, in 1997-1998, the fresco of the St. Francesco di Paola dome (Cosenza), where he also left some of his oil paintings.
Delegate at the most important italian and foreign artistic fairs, he has been listed in The international Who's Who 2000 of the Millennium Edition in London.
In 2013 he painted with a 200m² fresco the bowl-shaped apse of the Chatedral of Noto, where he figures the Saint doctors of the Church, the God Almighty with the faithful virgin Mary and the Baptizer, as well as the vaul of the presbitery with the iconographic theme of "Hetoimasia", the emblems of Christ and the symbols of the Passion.
His works are located in the most important public and private italian and foreign collections.
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